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EMI is proud to announce the release of a 2-CD and Vinyl Special Edition of Duran Duran’s classic album, ‘Rio’, and a previously-unreleased live DVD/CD concert, ‘Live At Hammersmith ‘82!’ ‘Rio’ was Duran Duran’s second album and is as representative of the s as it gets, at its best. Download Duran Duran RIO Torrent at TorrentFunk. We have 22 Duran Duran RIO Music torrents for you! Duran Duran Rio (Limited Edition Vinil) Mp3MUSIC3 8 MB 0. Duran Duran - Acoustic World (Split tracks) FLAC 1 8 MB 0 P Duran Duran Arena. 1 7 MB 0 duran duran Download free torrent at Largest Bittorrent Source with Several Listed Files.

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Rio was the first of many albums I've purchased of Duran Duran. It was one of my favorite bands in the 80's. Simon Lebon was my favorite band member from 'The Fab Five'.

They are the 80's version of The Beatles! The whole album is awesome!!

Most of the songs on here end up on their greatest hits album, so it definitely worth every penny!! Duran Duran Rio Special Edition Torrent Contents About the album The album includes all the tracks from both the original UK release, and the US release partially remixed. The second CD contains additional demos and remixes from the Rio era and was released on 29 June, in the US and 30 June in the UK. Mf Engine Serial Number Location.Think 's pop' and Duran Duran have to be two of the first words to pop into your mind.

The Birmingham, England quintet have become inextricably linked to the s, its culture, and its music. And, really, what better icon for the vapid, super-stylized, materialistic excess of the decadent decade than Patrick Nagle's cover art for Rio?More often than not, though, the cultural context history assigns to a work of art, even pop art, is distorted by subsequent events and the convenience of compartmentalization. In other words, Duran Duran and Rio are seen as quintessential representations of the '80s because they came to be seen that way.

They grew into the day-glo suits, the yachts, the James Bond-without-the-danger lifestyle. Retrospectively, they fit the role history assigned them. But that was not exactly the way things were at the time.A nice aspect of re-issues like this one is they provide the chance to re-assess not only the music, but also the original milieu in which it was created. The impression you get from both is that from late through most of, Duran Duran were not the streamlined, ultra-chic hedonists their image and videos depicted so vividly.Rather, they were working-class boys. Most of them were barely into their twenties. They were an experienced band that had started out with a dedicated underground following and had had some significant commercial success in the UK with 'Girls On Film' and their self-titled debut.They were just at that magical sweet spot when a band makes the jump from success to superstardom. They had all the confidence of their sustained momentum, and hadn't yet lost the perspective, focus, or desire of their early days playing Birmingham clubs.In other words, they were watching their dreams play out before their eyes.

That's what you have to keep in mind as you listen to and watch these few hours' worth of material. The fame, the flash, the Raiders of the Lost Ark fantasies played out in Sri-Lanka - none of it was a sure thing.According to the interviews in the extensive liner notes, the band cavorted around on that yacht for the 'Rio' video and then went home to their parents' houses, where most of them still lived. At the time, they were not filthy-rich jetsetters. They just did an outstanding job of looking and sounding like it.

The misunderstanding was especially great in America.Like most great British successes, Duran Duran were presented, as part of a carefully-orchestrated marketing scheme from their record label, as a fully-formed, self-contained teeny-bop sensation. Incidentally or not, that label, Capitol, had had plenty of experience doing this sort of thing with the Beatles. The reality is that first album had hardly dented the mainstream American charts, and Rio, upon its initial release in May, didn't fare much better.Keep in mind, Rio was their second album.

The songwriting and production are so sharp, the playing so tight, the roles so well-defined, it's almost impossible to believe now. Not even nearly 30 years of cultural change have been able to budge the careful juxtaposition between Andy Taylor's power riffing and Simon LeBon's willfully artful lyrics and vocals, or the brilliant interplay between the awesome, seriously funky rhythm section of John Taylor and Roger Taylor,and Nick Rhodes' atmospheric, arpeggiated synthesizer framework.Together, it all created all kinds of energy and just the right amount of camp.Also, you can't underplay the effect of Rio's secret weapon, LeBon's way of frequently scatting.

Take away his enthusiastic 'Doo do doo's on half these songs, and they're only half as endearing. Live At Hammersmith '82 provides visual and aural evidence that Duran Duran were on peak.Filmed in December of that year, it features just the five of them, plus saxophonist Andy Hamilton, playing against a tasteful, minimalist backdrop. Plenty of nods, smiles, and mugging are exchanged, all of them conveying the general message, 'Hey!

Can you believe it? This is great!.In particular, a rousing trio of songs from Duran Duran, starting with 'Planet Earth', reveals a genuine muscularity. LeBon's voice holds its own, at least, and he's an exemplary showman, and he's given surprisingly effective help by the backing vocals and stage presence of the diminutive Andy Taylor.The video also includes two British Top of the Pops performances from During 'Rio', the band miming, LeBon pretends to whistle the bird noises in the interlude. All the band laugh and start joshing around, and it's clear as ever Duran Duran are still rock 'n' roll innocents.The fame, money, and vapidity would come soon enough.In November, the first half of Rio was remixed by American producer David Kershenbaum and the album re-released. These versions, likely those most familiar and cherished by American listeners, appear here for the first time on disc, as bonus tracks. Pushing LeBon's vocals out front, the mixes somehow sound less synth-pop while emphasizing the synthesizers. The rollicking 'Hold Back the Rain' gains the most.After the late reissue, 'Hungry Like the Wolf' and Rio took off worldwide.

Twain sane mojave. Girls' screaming drowned out the band's critical goodwill and art-school credibility.Life imitated art, and Duran Duran became the supermodel-flaunting, yacht-racing, self-parodying band from the videos. To their eventual discredit, they embraced it all.

Then they imploded and have spent the last 27 years trying to climb out of the rubble, with varying degrees of success.Yes, Duran Duran were the '80s, but these handsome new packages serve as a reminder that, even earlier, they were simply a good band with a great album. Electronic producer Konx-om-Pax creates cinematic soundscapes, and he shares the artistic influences on his new album, Ways of Seeing, with us.

Duran Duran in the 1980s: Not just yachts and supermodels.In Rolling Thunder Revue: A Bob Dylan Story, a cinematic genius and a Nobel Prize-winning musical icon pair for a magical and purposefully deceptive look at rock 'n' roll life in the mid-'70s. We present interviews with three of the festival's most uncompromising voices. Debby Friday explores feminine aggression through her self-styled blistering Bitchpunk.

Korea Town Acid is a classically-trained pianist who creates intricate, eclectic beats. Layia combines field recordings, instrumentation, and live vocals in dense ambient collages.On their third studio record, Doom Days, Bastille continue their slide into mainstream blandness. Paul Leni loved to move the camera to unsettle viewers - under curtains, through doors, down trapdoors, swinging on ropes - as seen in The Man Who Laughs and The Last Warning. GoodtextepMichelle Vezilj's debut song 'Fire Goes to Die' is about reclaiming power after a sexual assault and shifting the narrative from victim to victor. Glen Hansard's new musical approach to recording This Wild Willing provided a new balance to his live show.

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Unwed Sailor's Johnathon Ford discusses the history and evolution of his beloved band.To my brain, it's like a New Order song without vocals. Two recent videos from Rammstein and Hatari offer a study in contrasts and speak loudly to the challenges involved in authentically confronting colonialism through popular music.Kelly Hunt understands traditional and southern American roots music. Through Hunt's musicality and penchant for vibrant imagery, Even the Sparrow embraces modernity with unadulterated effervescence.

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Earthen Sea's lavishly detailed new album, Grass and Trees, sounds like a classic dub-techno album but somehow doesn't feel like one. Don't mistake film for realism, it's all fantasy, says Director of Photograph, Ritesh Batra. Joe sample sample this rar software cnetAll rights reserved. Popmatters is wholly independently owned and operated. Powered by RebelMouse.

Download free kartonmodellbau schiffe versenkenDuran Duran in the s: Not just yachts and supermodels. Duran Duran Live at Hammersmith '82! Duran Duran: Rio Special Limited Edition / Live at Hammersmith '82!Videos vs. Colonialism: The Cases of Rammstein and Hatari Two recent videos from Rammstein and Hatari offer a study in contrasts and speak loudly to the challenges involved in authentically confronting colonialism through popular music. Colonialism: The Cases of Rammstein and Hatari. Jackie Chan's 10 Best Films. Recent Posts.